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Star Wars: Episode I - The Phantom Menace [1999]
from 20th Century Fox Home Entertainment
starring Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Pernilla August
directed by George Lucas

Features:

• Anamorphic
• PAL
• Widescreen

Editorial Review:

"I have a bad feeling about this," says the young Obi-Wan Kenobi (played by Ewan McGregor) in Star Wars: Episode I, The Phantom Menace as he steps off a spaceship and into the most anticipated cinematic event ... well, ever. He might as well be speaking for the legions of fans of the original episodes in the Star Wars saga who can't help but secretly ask themselves: sure, this is Star Wars, but it is my Star Wars? The original elevated moviegoers' expectations so high that it would have been impossible for any subsequent film to meet them. And as with all the Star Wars movies, The Phantom Menace features inexplicable plot twists, a fistful of loose threads and some cheek-chewing dialogue. Han Solo's swagger is sorely missed, as is the pervading menace of heavy-breathing Darth Vader. There is still way too much quasi-mystical mumbo jumbo and some of what was fresh about Star Wars 22 years earlier feels formulaic. Yet there's much to admire. The special effects are stupendous; three worlds are populated with a mélange of creatures, flora and horizons rendered in absolute detail. The action and battle scenes are breathtaking in their complexity. And one particular sequence of the film-the adrenaline-infused pod race through the Tatooine desert--makes the chariot race in Ben-Hur look like a Sunday stroll through the park. Among the host of new characters, there are a few familiar walk-ons. We witness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looks younger and slimmer (but not young and slim) and Yoda is as crabby as ever. Natalie Portman's stately Queen Amidala sports hairdos that make Princess Leia look dowdy and wields a mean laser. We never bond with Qui-Gon and Obi-Wan's day is yet to come. Jar Jar Binks, a cross between a Muppet, a frog and a hippie, provides many of the movie's lighter moments, while Sith Lord Darth Maul is a formidable force. Baby-faced Anakin Skywalker looks too young and innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but his boyish exuberance wins over sceptics. Near the end of the movie, Palpatine, the new leader of the Republic, may be speaking for fans eagerly awaiting Episode II when he pats young Anakin on the head and says, "We will watch your career with great interest." Indeed! --Tod Nelson

George Lucas transports audiences back to the future with Star Wars: Episode I, The Phantom Menace, the first instalment of a prequel trilogy in which the director imagines the foundation for the entire six-part saga. Reflecting the symbolic and mythological bases of at least five story arcs, The Phantom Menace wields a newly emerged, youthful vibrancy courtesy of Lucas' invigorating return to the director's chair and his healthy respect for the emotional sources of fantasy. Despite receiving a storm of adverse criticism (notably for Jar Jar Binks) Lucas continually fascinates with his ability to place his characters--some new, some old, some CGI--in the same dramatic situations posed in the original trilogy: whether it be the juxtaposition of primitives with technologically advanced societies or the timeless battle between good and evil, the very familiarity of these recurring scenarios and rhythms galvanises the viewer. Of course, the state-of-the-art visual effects contribute mightily to the final impact. Much has been written about the kinetic Pod Race sequence (compared favourably with the chariot race in Ben Hur) and the War and Peace-style military battles, but even these events are upstaged by the new planetary vistas: consider the Romanesque grandeur of Naboo, the underwater city of Otoh Gunga illuminated by Art Nouveau lamps, the decadent brio of Tatooine, or the dizzying skyscrapers of the city planet Coruscant (imagine Blade Runner in daylight). Despite the beauty of his iridescent images, Lucas exercises discipline, cutting fast within frames filled with rich detail and activity. As a result, The Phantom Menace lends itself to repeated viewings.

On the DVD: This spectacular two-disc DVD set was certainly worth the wait. Simply put, this is the most comprehensive packaging of supplementary materials so far assembled for DVD. Most importantly, Lucas film offers an anamorphic, 2.35:1 film transfer and a highly active Dolby 5.1 audio mix. Disc 1 includes an insightful commentary with Lucas--his first for DVD--and other key personnel, making for a great tour. The bulk of extra treasures can be found on Disc 2, including seven deleted scenes completed just for this set that possess the same quality as the film; in fact, some moments (the "Air Bus Taxi" and "Pod Race Grid" sequences) are so good that Lucas reincorporated them into the film proper. Viewers can also enjoy no less than 12 Web documentaries, five informative featurettes, the popular John Williams music video "Duel of the Fates" and numerous galleries of stills, trailers and television spots. Better yet, Lucas premieres "The Beginning," a 66-minute documentary edited from hundreds of hours of behind-the-scenes footage. This is not your standard-issue studio documentary, instead "The Beginning" is an Oscar-worthy, cinema verityé-style exploration of the creative process behind every aspect of the film's production. One of the most memorable moments involves a late-day visit to the set by Steven Spielberg: watching Lucas and Spielberg behave like kids in a candy store is one more reminder why the Star Wars saga remains enduringly popular. --Kevin Mulhall

DVD Special Features:

Over six hours of additional material, including: Audio commentary by George Lucas (Writer/Director), Rick McCallum (Producer), Ben Burtt (Co-Editor and Sound Designer), Scott Squires, John Knoll and Dennis Muren (Visual Effects Supervisors), Rob Coleman (Animation Supervisor)
Seven Never-Before-Seen Deleted Scenes with full visual effects completed solely for this DVD release
"The Beginning" - Documentary offering unprecedented access inside Lucasfilm and ILM during the making of the film (one hour)
Multi-angle storyboard to animatic to finished film feature
Five "Behind-The-Scenes" Featurettes--Storyline, Design, Costumes, Visual Effects, Fight Scenes
Music Video- "Duel of the Fates" (John Williams)
"Lynne's Diaries" - the 12 part documentaries
Three Image Galleries--Theatrical Posters, Print Campaign, Never-Before-Seen Production Photos
Original Theatrical Teaser and Launch Trailers
Seven TV Spots--including the legendary "Tone Poems" Subtitles: English for the hearing impaired, Danish, Finnish, Norwegian, Swedish

The first of three prequels to George Lucas's celebrated STAR WARS films, EPISODE I: THE PHANTOM MENACE is set some 30 years before the original STAR WARS EPISODE IV: A NEW HOPE in the era of the Republic. Naboo, a peaceful planet governed by the young but wise Queen Amidala (Natalie Portman), is being threatened by the corrupt Trade Federation, puppets of an evil Sith lord and his terrifying apprentice, Darth Maul (Ray Park). Jedi knights Qui-Gon Jinn (Liam Neeson) and Obi-Wan Kenobi (Ewan McGregor, performing an amazing vocal imitation of Alec Guinness, the older Obi-Wan) are called on to intervene in the trade disputes. Along the way, they acquire an apprentice of their own in the form of young prodigy Anakin Skywalker (Jake Lloyd), or as STAR WARS fans know him, the future Darth Vader. They also encounter Jar Jar Binks (Ahmed Best), a goofy, lizardlike creature who has been banished from his underwater world for clumsiness. When the Trade Federation launches an attack on Naboo, the queen and her allies must battle hordes of robot troopers while Qui-Gon and Obi-Wan face off against the sinister Darth Maul.
One of the most anticipated films of all time, THE PHANTOM MENACE sets the stage for the tumultuous events to come. Lucas fills the screen with detailed sci-fi creatures and locations, revealing the most creative and exquisite sets, costumes, and character designs to hit the screen since the original trilogy.

Customer Reviews:

• Avg. Customer Rating: 3.5 / 5.0

• Menacingly Bad
  Went I went to the cinema to watch this I was glued to my seat, otherwise I would have left.

• An honest reappraisal
  This absolute mare of a film with be 10 years old next year. And guess what? Time hasn't been kind to this boring, insulting film, and complete and total disappointment.
  George Lucas should have been brave enough to hand the reigns over to the likes of Frank Darabont and David Fincher to direct what should have been a dark, depressing journey all the way to the dark side of the Force. It should have been thrilling, amazing, and awe-inspiring. Instead it was trill, mediocre, and bloody awful.
  He's... more info

• It's NOT as bad as some would have you believe
  Is it really 9 years since The Phantom Menace brought Star Wars back to the Cinema after a 16 year hiatus? Back in the summer of 1999, the world was a very differant place to today. Bill Clinton was still American President. Tony Blair was enjoying his long honeymoon with the British electorate. The Twin Towers were still standing and few people had heard of Al Qeada. As we counted down to a new Millennium the world appeared to be on the cusp of a new golden age of econmic prosperity and relative peace.... more info

• To date, my biggest ever disappointment.....
  Star Wars episodes IV, V and VI make up the finest cinematic saga of all time. Originally written as the middle three episodes of nine stories spanning centuries in the Star Wars mythology, they captivated audiences of all generations and still continue to do so today. When George Lucas announced he was going to begin filming the three prequels to his original trilogy I almost passed out in excitement. We waited and waited and waited. And then, in a typhoon of worldwide media frenzy, Star Wars: Episode I -... more info

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