In association with

Lolita [1962]
from Warner Home Video
starring James Mason, Shelley Winters, Sue Lyon, Gary Cockrell, Jerry Stovin
directed by Stanley Kubrick

Features:

• Dubbed
• PAL
• Widescreen

Editorial Review:

Stanley Kubrick's 1961 version of Lolita, Vladimir Nabokov's notorious 1953 novel, prompted a scandal in its day: even to address the issue of paedophilia on screen was deemed to be as perverted as the hapless protagonist Humbert Humbert. James Mason plays Humbert, the suave English Professor whose gentlemanly exterior peels away as quickly as his scruples once exposed to Sue Lyons' well-developed teenage beauty. In order to be close to her, he marries her mother, the lonely and pathetically pretentious Charlotte (Shelley Winters) only for her to expire conveniently, leaving Humbert free to embark on a motel-to-motel trek across America with Lolita in tow, evading suspicions that theirs is more than a father-daughter relationship. Peter Sellers, meanwhile, gives a Dr Strangelove-type tour de force performance as Clare Quilty, a TV writer also in pursuit of Lolita, who harasses Humbert under several guises, including a psychiatrist.

As a movie, Lolita is flawed, albeit interestingly so. The sexual innuendo (a summer camp called Camp Climax, for example) seems jarring and pointless, while Sellers' comic turn detracts from any sense of guilt, tension or tragedy. It's as if the real purpose of the film is to offer a sort of silent, mocking laughter at the wretched Humbert and systematically divest him of his dignity. By the end, he is a babbling wretch while Sue Lyons' Lolita is pragmatic and self-possessed. It's Mason and Lyons' performances, which lift the film from its mess of structural difficulties. Decades on, their central relationship still makes for pitifully compulsive viewing.

On the DVD: Few extras, sadly, though the brief original trailer is excellent, built around the question, "How could they make a film out of Lolita?". The original black and white picture and mono sound are excellent. --David Stubbs

Customer Reviews:

• Avg. Customer Rating: 4.0 / 5.0

• Lolita - That lovely, lyrical lilting name
  Regardless of the hidden (or even obvious) peversion of James Mason's character, I felt this film was brilliantly acted and beautifully shot. Sue Lyon's portrayal of the teenage Lolita is spot on, whilst Shelley Wintar's manical and irritating mother role is painfully real. Peter Sellar's does his usual good job of injecting a little humour into the otherwise unpleasant storyline and of course James Mason is as always perfect in his role. Whether it is an insult to say he is perfect for the part I do not... more info

• A brave attempt at a difficult thing
  Not a bad film version made at a time when it must have been very difficult to make a film of such a story. Kubrick manages to paint a deep enough picture of what is on the surface a simple story of a dirty old man and an underaged girl he is obsessed with. Out come the underthemes of young girl being even less innocent than her middleaged seducer is, of evil minded seducer being played liked a fiddle by this sweet young thing, of him becoming holplessly patriarchal towards her, which battles with his raw... more info

• Lovely, lyrical, lascivious
  Lolita: that "lovely, lyrical, wilting name". After Nabokov's novel and Kubrick's film adaptation, the name Lolita has, unfortunately, become synonymous solely with sexual precociousness. Really, we should add 'vulgar' and 'brash' to that synonymy - the real Dolores Haze (Sue Lyon) is brusque, and anything but wilting. She's known by two names; she leads two VERY different lives.
  Given the reputation that follows the tale of Lolita around, it's sometimes easy to forget how funny this first (and best)... more info

• Some good performances but ultimately flawed
  The subject matter of Lolita naturally poses some problems for a director, but this adaptation has ultimately gone down as a victor for the censors. The original novel was almost entirely focused on the character of Humbert Humbert, his flamboyant obsession with a young girl and the increasingly ridiculous lengths he goes to in an effort to keep the object of his affections. The genius in Humbert's character was that despite the hopelessly immoral nature of his actions, the reader could always sympathise... more info

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